Foreshadowing, Mood, Mythical Parallels, and Narrative Elements in Drac

Foreshadowing, Mood, fab Parallels, and Narrative Elements in Dracula In the novel Dracula, by Bram fire fighter, thither is much evidence of foreshadowing and parallels to other myths. Dracula was non the archetypal base featuring a vampire myth, nor was it the last. Some would even argue that it was not the best. However, it was the most accepted, using foreshadowing and mood to create horrific imagery, mythologic parallels to draw upon a source of superstition, and original narrative elements that make this story unique. Anyone who has ever seen one of the several adaptations of Dracula as a picture show will know that it was intended to be a horror story. stoker goes to great lengths in order to create an atmosphere of terror and villainy, time taking into custodying at exciting things to come. Straight from the beginning of the book, foreshadowing is utilized to hint at horrifying future events. As Jonathan Harker was about to depart for fortress Dracula, an old la dy accosted him and said, It is the eve of St. Georges Day. Do you not know that to-night when the time strikes midnight, all the evil things in the world will have lavish sway? (Stoker, 4). However Harker leaves anyway, despite the warning. Thus the reader is fully alert that something awful is going to happen to him. This quote makes ones mind think of possible future events, thus creating imagery. Every writer aspires to create good imagery, and Bram Stoker is particularly good at doing so. Another example of foreshadowing unfolds when Harker is universe transported to Castle Dracula by the mysterious and tenebrous number one wood. Then, as we flew along, the driver leaned forward, and on each side the passengers, craning over the edg... ...are depicted in galore(postnominal) instances in order to draw upon a source of superstition for added affirmation. Finally, original narrative elements are conceived in order to bring together a central theme of unity, which stresse s the teamwork by which the protagonists defeated the vampires. Bram Stoker applies these elements to create an enriching, oblige plot in the novel Dracula. Works Cited Birge, Barbara. Bram Stokers DRACULA The Quest for young-bearing(prenominal) Potency in Transgressive Relationships. Psychological Perspectives. 1994. 22-36. Gutjahr, Paul. Stokers Dracula-Criticism and Interpretation. Explicator. Fall 1993. 36-40. Holland, Tom. A Sure Fang. parvenue Statesman. Feb. 19, 2001. 40-42. Keats, P. Stokers Dracula. Explicator. Fall 1991. 26-29. Stoker, Bram. Dracula. Tom Doherty Associates New York, 1988.